 see trailer | Pride and Prejudice and Zombies An idea sprung from the fertile grounds of pumping public domain titles with fanboy fodder, Pride and Prejudice and Zombies shames its heritage. read more
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 see trailer | Kung Fu Panda 3 An often exhilarating, kaleidoscopic manhua combining the traditions of overblown martial arts and the simple, fantastic stories of folklore, Kung Fu Panda 3 pushes the series forward towards its potential as a centerpiece of biculturalism. read more
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 see trailer | Mojave Mojave frames its bootstrap-pulling machismo through the pseudo-intellectual lens of Hollywood, going on a self-reflexive walkabout that never quite works. read more
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 see trailer | Sisters In Sisters, the house party runs rampant over its director, escaping its comedy reigns and trashing a perfectly average movie. read more
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 see trailer | The Night Before The Night Before, a holiday Hangover, a spectacle comedy of man-children and pop culture riffs, rises above its raunchy reference humor thanks to its consequence-driven character exploration. read more
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 see trailer | Spectre Despite collapsing into clumsiness near the finale, Spectre's James Bond dovetails in a perfect combination of Craig-era romantic irony and classic 007 cool. read more
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 see trailer | Goosebumps The troubling Goosebumps hates itself, horror, and women in equal part. read more
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 see trailer | Crimson Peak Beautiful and horrible, Crimson Peak has the discordant panache and meaty substance to be an instant horror classic and perennial Halloween favorite. read more
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 see trailer | Bridge of Spies An interesting story told at a third-grade level, Bridge of Spies's well-made mediocrity does disservice to its material. read more
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 see trailer | The Martian Outpacing the subpar, feel-good space-disaster films of the late '90s, The Martian's scruffy, lovable, and intelligent survival story does everything right. read more
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 see trailer | Black Mass Johnny Depp's demonic turn as Whitey Bulger reminds us that he became a star for a reason in the otherwise forgettable crime flick Black Mass. read more
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 see trailer | Everest An awe-inspiring setup loses its footing in the chaotic avalanche of Everest's final third. read more
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 see trailer | The Visit The Visit is writer/director M. Night Shyamalan's lukewarm resurgence, delivering his inevitable twist in a mediocre casing rather than an offensively schlocky shell. read more
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 see trailer | Mistress America The second collaboration between writer/director Noah Baumbach and writer/actress Greta Gerwig, Mistress America is a funny, sweet condemnation and admiration of "creative types". read more
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 see trailer | The End of the Tour A frank and fragile fluctuation between warmth and brittleness, The End of the Tour illustrates writer David Foster Wallace with an understated duel between self-conscious egos. read more
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